Tre Senza - Urban Perfume Affresco 50ml

The Scrovegni Chapel, which has become part of the Civic Museums of Padua, is dedicated to Santa Maria of Charity and known throughout the world for extraordinary pictorial cycle created by Giotto. The work constitutes the greatest fresco work
that the painter brought to Western art. The cycle frescoed by Giotto between 1303 and 1305 it spreads over the entire internal surface of the Chapel narrating the story of salvation in two different paths: the first with the Stories of Life of the Virgin and Christ painted along the naves and the triumphal arch; the second begins with the Vices and Virtues addressed in the position lower of the major walls, and ends with the majestic Last Judgment on the counter-façade. The first great revolution carried out by Giotto a
Padua is in the representation of space: yes they can admire examples of "perspective" and surrender of the third dimension which they anticipate by a hundred years
Renaissance theories. The second is the attention paid to representation of man, in his physicality and emotionality: this is well expressed by Giotto in his Stories of the Life of the Virgin and of Christ in which human joys and sorrows emerge with intensity,
of which there remain significant and famous examples tenderness of Gioacchino and Anna's kiss The meeting at the Golden Gate and the desperation of mothers in tears in The Massacre of the Innocents. The vaulted ceiling is a blue blanket of stars and presents the figures of Mary, Christ and tondos of the Prophets. The fresco cycle of the Scrovegni Chapel it has been inscribed on the World Heritage List UNESCO in 2021 within the serial site “I frescoed cycles of the 15th century from Padua".

The Scrovegni Chapel holds the greatest fresco work and the profound revolution that
Giotto brought Western art. Citrus and aromatic notes, fresh, sparkling, tenacious, energetic and balsamic they consecrate vision and space, outlining the first great revolution where “perspective” and “plasticity” anticipate the Renaissance theories, becoming the constant persistence of the composition. Spicy and flowery, intense, sensual accords of a delicate tenderness, are contrasted with notes of incense, bold, mysterious, spiritual and iridescent. A representation of man, in his physicality and emotion, in which joys emerge impetuously and human pain.

Olfactory family: WOODY - AROMATIC
- AROMATIC agreement
- CITRUS accord

- note OZONICA
- SPICY accord
- LAVENDER IN FLOWERING

- INCENSE
- LABDANUS
- GUAIACO BARK
- PATCHOULI